Nancy W. Peidelstein, Ragamuffin Studio

Home

How do I buy a painting?

Contact

Special Events

Experience

Breakthrough

Dance of the Dendrites

Five Hours

Gentle Departure

The Unfolding

Whispy Stream

More paintings

More paintings II

I Have Not Stood Idly By

Kosher Continuum

Color Commentary

Artful science

Giving form to purpose and dreams

Color Commentary
         
Art work is typically colored by imitation of life, personal preference, materials available, and knowledge of the way people will react. This page is meant as an idea starter,  reflecting a subjective viewpoint.  It includes descriptions that are not sight-dependent, as it was originally crafted for those who have never experienced optical vision.
Common colors  - These descriptions and the remarks that follow do not reflect how I choose or relate to color on a conscious level.  They are simply descriptive notions:
Black - Empty space, total commitment.

Purple - Laughing.  You cannot have everything purple all the time, because it would be like laughing all the time without talking, sleeping, or eating.
Blue - Openness. 
Blue has a number of important distinct references in day to day life.

Green - Physical life itself.
  Chlorophyll is the substance that gives a plant the ability to turn energy from the sun into life-supporting sustenance, and chlorophyll is green.  Mammals are not green, with very rare exception.
Yellow - Warmth.

Orange - In the U.S., it is nearly inseparable from the fruit.  I would go along with that.  Very strong, tart, with an element of surprise.
Red - Suddenness.

White - Ice.
Brown - the very essence of the physical earth.

    About skin color:  People describe other people as black, white, etc. These have nothing to do with the descriptions above, and are abbreviations for obvious contrasts in a range of variations.
    Variations on a theme:  Com
bining colors to create a new color provides something that resembles the elements that went into it.  However, if you do not utilize optical vision, I think each color will have its own separate definition.  While I would see lavender as a combination of white and purple, others might benefit more from knowing it as a light perfume.  While I might know the color avocado as it relates to something I eat or an appliance choice from a certain era, someone else may gain more from experiencing it as profound calm.
  
  Color matching and clashing:  Some colors can create discomfort when experienced alongside each other.  This phenomenon is sometimes used to draw attention, especially in advertising.  Fashion trends often suggest keeping certain colors of clothing together or apart.  Colors in nature cannot typically mismatch, but much of what people see is man-made, and thus, trickier to coordinate.    Color preferences are personal and cultural and can change over time.
    Something to explore:  There is a lot you can learn about colors in nature, ancient sources of color, modern color creation, and even how color exists! Specific minerals or plants can be processed to bring out desired colors and to put them in usable forms, which is how paint is made. It takes me much longer to find colors I like when I work on the computer than it does when I paint.  I use a lot of phthalocyanine blue in my paintings, and when I paint, I play and learn a lot by using and mixing different colors.

Sales are subject to current availability.  Costs associated with shipping, handling, and taxes are are added to painting price and are calculated specific to sale.  All sales final.

Images and website language related to Nancy W. Peidelstein and Ragamuffin Studio   Copyright 1980-2012 Nancy W. Peidelstein.  All rights reserved.



Web Hosting powered by Network Solutions®